Mocage Chromaticism; Contrapuntal Leading-tone Chords 7. Combination of Second and Fourth Species 4. There are no discussion topics on this book yet. Harmonic Influences on Voice Leading 6.
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Salzer and Dr. Schachter assembled it to show the connections between the simple procedures of species counterpoint and the complexities of composition, an approach to counterpoint deriving from the work of Heinrich Schenker.
The Techniques of Elementary Counterpoint 1. Cantus Firmus and First Species 1. Cantus Firmus 2. Two-part Counterpoint, First Species 3. Three-part Counterpoint, First Species 2. Second Species 1. Two-part Counterpoint 2.
Three-point Counterpoint 3. Third Species 1. Three-part Counterpoint 3. Three Notes against One 4. Fourth Species 1. Three-part Counterpoint 5. Fifth Species 1. Three-part Counterpoint Part 2. The Techniques of Prolonged Counterpoint 6. Counterpoint in Composition, I 1.
The Direct Application of Species Counterpoint 2. Two Major Influences on Contrapuntal Texture 7. Counterpoint in Composition, II 1. Melodic-contrapuntal Prolongations 2. Counterpoint within Prolonged Chords 3. The Evolution of Dissonance 4. Repetition and Articulation 5. Harmonic Influences on Voice Leading 6. Chromaticism; Contrapuntal Leading-tone Chords 7.
Octaves and Fifths 8. The Chorale 1. The Elements of Chorale Writing 2. Setting a Single Phrase 3. Setting Groups of Two or More Phrases 4. The Complete Chorale 9. Combined Species 1. Combination of Two Second Species 2. Combination of Second and Third Species 3. Combination of Second and Fourth Species 4. Combination of Third and Fourth Species 5. Combination of Two Fifth Species 6.
Progressions from Combined Species in Composition Voice-Leading Techniques in Historical Perspective ca.
FELIX SALZER COUNTERPOINT PDF
Moogurisar Felix SalzerCarl Schachter. See all 12 reviews. Would you like to counterplint us about a lower price? The Elements of Chorale Writing 2.
Counterpoint in Composition: The Study of Voice Leading
Counterpoint in Composition