DUTILLEUX SYMPHONY PDF

You Should Know — Symphony No. These two ensembles are what gave Symphony No. Some composers and theorists call Dutilleux oblivious and dated because he never progressed music like his other French contemporaries. So why then is this composer worthy of recognition? Without stylistic limitations, Dutilleux gave himself permission to write whatever he wanted as carefully as needed.

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You Should Know — Symphony No. These two ensembles are what gave Symphony No. Some composers and theorists call Dutilleux oblivious and dated because he never progressed music like his other French contemporaries.

So why then is this composer worthy of recognition? Without stylistic limitations, Dutilleux gave himself permission to write whatever he wanted as carefully as needed. This process shows in both the development and harmonic language of the music. Two themes present in Mvt. Each movement of Symphony No. An exemplary theme to follow is the timpani motif in the first movement.

At , we can hear another part of this theme leading towards the three-note solo we heard before. The natural development and sensitivity to his own music is something any composer would strive to achieve. Cheerleading aside, listen to third movement of the work and how after letting his allegro fuocoso cook for six minutes, he suspends the same chord and timbre for the rest of the movement. Then listen to first ten seconds of the symphony to see where that chord came from.

Movement three alone stands as a masterwork of our classical repertoire with its musicality, material, orchestration, and gestalt. Symphony No.

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Henri Dutilleux

He was the great-grandson of the painter Constant Dutilleux and grandson of the composer Julien Koszul. He was also a cousin of the mathematician Jean-Louis Koszul. As a young man he studied harmony , counterpoint , and piano with Victor Gallois at the Douai Conservatory before leaving for the Conservatoire de Paris. He worked for a year as a medical orderly in the army and then returned to Paris in , where he worked as a pianist, arranger and music teacher.

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